Perfume: The Story of a Murderer

Perfume: The Story of a Murderer - Patrick Süskind

An acclaimed bestseller and international sensation, Patrick Suskind's classic novel provokes a terrifying examination of what happens when one man's indulgence in his greatest passion - his sense of smell - leads to murder.In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift - an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume" - the scent of a beautiful young virgin. Told with dazzling narrative brillance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

Published: (Penguin Books)

ISBN: 9780140120837

Language: English

Format: Paperback, 263 pages

Goodreads' rating: -

Reviews

Heinrick rated it

This book was different and brilliant. The story of an orphaned boy born without a scent, but with an incredibly refined sense of smell, the book drags a bit in parts, but the ends justify the means, in more ways than one.All things considered, the book is a valentine to the beauty, elegance, and power of smell. A truly underrated sense, Suskind reminds the reader of just how powerful an effect our sense of smell can have. Although Jean-Baptiste Grenouille (one of the great names in contemporary fiction)'s amazing sense of smell seems the sort of thing that is unquantifiable in most any medium, Suskind makes it work perfectly. His vivid descriptions almost evoke the smells he is describing into reality, and his characterization of Grenouille is nothing short of perfect.Grenouille is, of course, an abhorrent, vicious, loathsome character, and Suskind takes great pains to point this out literally at various intervals throughout the story. However, despite his actions and the way he is described, Suskind cleverly says one thing and shows another, presenting Grenouille as the unquestioned hero of the story, allowing him to come across as, at the very least, sympathetic (if not pitiable), and at most, a man whose single-minded drives and desires leads to the reader outright rooting for him to succeed in his horrific acts.As the subtitle of the book is 'The Story of a Murderer', I don't think it gives anything away to say that the book climaxes in the brutal murders of 25 women that Grenouille uses to create the most perfect smelling perfume the world has ever known. Despite all the difficulties Grenouille encounters, all the opposition and roadblocks (and it's indisputably true that Grenouille was dealt a bad hand in life), he still takes his lumps admirably and never wavers from his pursuit of his dream, which, at its heart, is something I think everyone aspires to be able to do. Furthermore, when Grenouille finally does achieve his dream, he is heartbroken to discover that, after everything, it was not what he'd envisioned. Sadly, I think that is something people can relate to as well. And so it is that the story of a murderer ends up as something everyone can relate to.One of the ways Suskind is able to so perfectly pull this off is to disassociate Grenouille from these abhorrent acts. Throughout the story, we see only Grenouille striving and working hard to achieve his goal. Then, at the cusp of putting it into motion, the story suddenly changes perspective from the actions of Grenouille to their aftermath and the perspective of the local townspeople. It's a jarring and effective method that allows the reader to still root for Grenouille, as they still are very much aware that Grenouille is responsible for these horrific actions, but disassociates him from the brutality of them by only speaking of them in an offhand manner (i.e. the chaos they create, rather than the actual detailed acts themselves).All that said, the end of the book is insane, but wonderfully so. It's completely out of left field and it's almost hard to accept that what is happening is real and not some sort of dream (which it isn't). The reader is left waiting for the moment when Grenouille opens his eyes and we're told what really happened, but it never comes. Compared to the climax, the end of the story almost makes perfect sense, when in any other story it would be seen as equally insane, if not more so. But don't let it detract you from reading the book. It's true, you'll either love it or hate it, but no matter what you'll be unable to say it wasn't worthwhile.

Kelwin rated it

This book had me like...Unlike anything I've ever read, but I loved it. Especially the whole last chapter had me laughing morbidly at scenes the author probably did not intend to be satire. The circumstances of Jean-Baptiste's birth and upbringing were also hilariously awful to me.During the rest of the book my general reaction was this:I wasn't sure if I was gonna be sent straight to hell for rooting for the main character so I tried to keep my opinion out of the general reading process. (I say this because Jean-Baptiste murders several innocent people and despises every person he meets in the entire story. Not a role model.)Overall, good book, not for the faint of heart.

Valentin rated it

If I could only have one word to describe this novel it would have to be "original". What an idea, what a concept Suskind came up with for this story, for this character. Fortunately I have more words available and I have to use them. Words like creepy, disgusting, sick, vile, etc. etc. It's the story of a serial killer in 18th century France. The victims - young girls, virgins. Predictable you say, well not so much. Sherlock Holmes would have struggled solving this case I believe. Very well written, but difficult to read in some parts.4 stars