This is a good book. Satrapi writes with a powerful voice. One can easily imagine her childhood and early life. Many times I do not enjoy graphic novels because I think they are weak and poorly-written, relying on pictures to tell a story and not utilizing good dialogue and text. That is not the case here. Satrapi's unique illustrations make the Iran of her youth come to life. Many difficult and painful issues are dealt with in this book: torture, death, martyrdom, etc. Instead of cheapening these concepts, the graphic novel Satrapi wrote makes them hit you harder. She knocks the wind out of you with her straight talk, her child self's views on what's happening and the stark brutality of humanity. A worthwhile read for anyone.

Twenty pages in and... wow. This beautiful book is bringing back memories and putting them in new context...My first best friend, when I was still learning to read, was from Iran. Her parents fled the 1979 Revolution, literally in the middle of the night. They wanted more for their daughters. My friend's mom was a doctor, and before they fled, the hospital where she'd worked had stopped letting her work, because she was a woman. At the time, I was too young to understand any of that. What I remember is my friend showing me the books at her house, in Persian, and showing me how to read each page, right to left.ETA: The art is worth seeing. I loved the way she alternated between black outlines and white outlines carved from black ink. The book is about corrupt politics, war, and torture, through the eyes of a child with limited understanding and, then, a rebellious teen. It will stick with me.

We complain about the religious fanatics in this country, and definitely we should keep an eye on them, because man oh man, things sure could be worse.I liked this. It was cute but in a substantial way, interesting, and emotionally compelling. Satrapi made a point of representing her childhood self as kind of an asshole in a realistic and endearing little-kid way, which I thought was cool and served the book well. In a lot of stories about political repression the heroes are saintly people, but she and her family were so much like my own family and people I know that I got a much better sense of what it would be like to have religious wingnuts running my country. The descriptions of growing up amidst the political turmoil and repression and the war of 70s/80s Iran were effective because the characters seemed so real and familiar. I've been reading a lot about Iran during this era, but embarrassingly this is the first thing I've read from an Iranian perspective. Hope to read more and definitely would love some suggestions.

I thought this book was very sad, I felt sorry how Marjane had to grow up. I'm going to link this to a friends review that can tell it better :)Anne's Review

Instagram || Twitter || Facebook || Amazon || PinterestAmericans, as a whole, don't really know anything about the Middle East. According to this article, a Roper study conducted during the Iraq War (2006) found that 75% of students could not find Iran on a map (the link they provided was a dead link). I knew a bit about the Islamic Revolution, because I read INSIDE THE KINGDOM: MY LIFE IN SAUDI ARABIA by Carmen Bin Ladin, who was half-Persian and grew up in Iran at this time, but still, the extent of my knowledge could probably fit into a thimble and still have plenty of room for a thumb. I wanted to learn more and this seemed like a great way to educate myself.Marjane Satrapi was a preteen when the Islamic Revolution happened. Before the change, she went to a school where everyone spoke French and women were free to wear mini-skirts. The Islamic Revolution imposed new restrictions - mandatory hijabs, religion being taught in schools, and the Iranian secret police, or SAVAK, investigating people on the streets or in their homes for illegal activities, for which they might be jailed, publicly whipped, or even executed.I think what makes this such a touching - and important - book are the flashes of normality in between the chaos of war and revolution. Marjane was a mischievous kid who liked to fool around in the classroom with her friends and prank the teachers, she chafed at her parents' authority and would rebel or sneak out, and when she became a teenager, she wanted to dress in the latest fashions and buy the things that made her feel good about herself and her burgeoning identity.I cried while reading this book. Marjane lost her beloved uncle; he was executed for seditious activities, and the last time she saw him, he made her a swan he carved out of bread in prison. I also cried when she was out shopping with her friends and heard about an Iraqi SCUD missile hitting one of the houses on her street. Not knowing if her family was alive, she forgot to take home the jeans she purchased as she hopped into a taxi. When she arrived home, she found that her family was safe - but her neighbors, a Jewish family, had all been killed because it was a Saturday, and they were observing the Sabbath. As her mother hurried her away, she saw the friend's bracelet in the rubble, attached to "something" (which I am guessing was probably pulverized flesh and blood).PERSEPOLIS is not an easy read, because it delves into many subjects that I think a lot of people would rather not think about. It's never fun to read about war, but that's probably why we should. Many books and movies glamorize life on the front, but real war is full of casualties and suffering, and should only be employed as a last-resort. Last summer, I went to the Hiroshima Peace Memorial Museum, which is filled with "found" objects from the resulting conflagration, including schoolbooks, buttons, and uniforms, along with photos of what the city looked like before and after the blast of the A-bomb. Survivors of the blast, who were either still in utero or small children when the bomb went off, took us - a group of Americans - around the city, giving a neutral but heartrending account of the war, the A-bomb, and the terrible aftereffects. I had to step respectfully aside at one point during the tour because I had begun to cry (I was so embarrassed, but I imagine the guides are probably used to that reaction). I'm really glad I went, because Hiroshima took this awful event and turned it into a powerful statement about the importance of peace. People come there from all over the world to look at the exhibits and learn. PERSEPOLIS made me feel the same way.Like Art Spiegelman's MAUS, Marjane Satrapi uses the "memoir as graphic novel" medium to great effect. The illustrations manage to capture the whimsical childhood outlook, and the scenes of horror and war are also illustrated as a child might perceive them - fantastical, larger-than-life, and terrifying. This is yet another graphic-novel that feels literary in terms of subject and scope, and I'd encourage you, even if comic books aren't your usual cup of tea, to pick this book up - especially if you don't know much about the Middle East, and would like to learn a bit more about Iran.4.5 to 5 stars